Wednesday, 31 December 2014

Top Tunes: December


Fall Out Boy - The Kids Aren't Alright
"I'm passive not aggressive, take note it's not impressive. Empty your sadness like you're dumping your purse on my bedroom floor"

Taylor Swift - Blank Space
"Screaming, crying, perfect storms I could make all the tables turn, rose garden filled with thorns"

Sinclair - The World Is Ours
"Nobody can tell you to love somebody you don't, if you don't"

Taking Back Sunday - All The Way
"Knock you back and off your feet and when that push comes to a shove we've got a headfirst kind of love"

Blitz Kids - Perfect
"Settle up and quiet down my head is ringing out and i've got nothing to say to you"

2014 Round Up: Favourite EP's


Anavae
Parallel Dimensions
Favourite: Hang Man
Mesmerising re-workings of already beautiful songs is top of this list. There's no repetitiveness just pure creative imagination. Becca's vocals sound so delicate and assertive all at the same time and the quiet layers of synths and keys whirl with her stunning voice, a perfect complementary combination. A new side, new life is brought to these songs I wouldn't mind hearing a parallel version of everything if Becca and Jamie are in charge.

Neon
Favourite: Wanderlust
A short three songs long and i've spent the rest of the year just dying for more music from this cosmic duo. Sierra hits the nail on the head lyrically, her vocals are so lush and Blake is basically the king of synths. 

Echosmith
Acoustic Dreams
Favourite: Terminal
I am a sucker for anything acoustic. I can't help it. Plus a previously unheard track 'Terminal'  makes an appearance and its quite possibly the best song they've ever written.

Sweet Talk
Favourite: The World Is Ours
Sinclair has got to be my favourite find of the year so please, please go and check her out.

Four Year Strong
Go Down In History
Favourite: Living Proof Of A Stubborn Youth
Long time favourites of mine returned with a fiery pop-punk EP that made me wanna get up and take over the world... or something. New album soon please. This stuff is addicting. 

Tuesday, 30 December 2014

2014 Round Up: Favourite Gigs

Reading Festival
Obviously any year where I get to see my fave trio is fantastic and every time i've seen them has been incredible but this Reading appearance, although having the potential to be destroyed because of shitty sound, actually ended up being more magical because of it. They prove to me time and time again why they're my favourite and, if possible, make me fall more in love with them. Side note: apologies again to those who were near us and heard our singing. You may have mistaken us for cats fighting.

Cardiff, Solus 27/11
Oh my days these guys have just become so heartbreakingly stunning live. Their Reading performance was amazing and a good warm up for this show but it had nothing on the passion and energy in that room. This tour felt important and that night felt poignant.

Cardiff, Motorpoint Arena 15/03
Blargh, Fall Out Boy, still questioning how I made it through their four year break. I mean what a show this was - I got to see The Pretty Reckless, there was an acoustic middle, a drum solo and they played 'Save Rock And Roll.' Quite honestly it felt a lot like dying and going to heaven.

A Day To Remember
Cardiff, Motorpoint Arena 26/08
One cancelled gig, several months and a Reading performance a day beforehand and I was finally at their headline show which absolutely did not disappoint. The set list was excellent and the fun they bring to their shows was infectious enough to carry throughout the entire the arena which in itself is amazing to see them playing venues of that size. Just a couple of years ago I saw them in university cafe.

Taking Back Sunday
Bristol, o2 Academy 08/12
Finally. FINALLY. After something like 13 years listening to them I saw them live with my brother and sister and it was just everything I could have dreamed it being. Not many words are required here because they simply would not do the night any justice. They carry the prize for the loudest crowd moment i've ever witnessed.

Cardiff, Great Hall 06/05
They provide an emotionally charged, safe place to expel ones demons and make everything ok and for that I will forever be thankful. Whether at their own headline show or Reading festival they win all the awards and gratitude for simply existing.

Cardiff, Slam Dunk 27/05
Earlier in the year I saw them at their headline show where we had M+G and they were epic and then their Slam Dunk performance was even better. They're seriously coming into their own and becoming quite unbelievably striking.
Cardiff, Clwb Ifor Bach 17/05
The very first time I saw them and they were brilliant. They're so unique in their sound and performance, its very raw and the energy is like a shaken up bottle of coke just waiting to explode - which of course for King Park it does.

Cardiff, Solus 03/02
I discovered a new band, affirmed my love for another, finally got to see Man Overboard after years of trying and was turned into an emotional wreck thanks to the triple threat of 'Miserable At Best', 'Stay' and 'Hold On To Me.' Pretty standard then for a Mayday gig.

Cardiff, Solus 23/11
I'll probably never tire of seeing these guys live especially if they keep dragging out songs like 'Hold My Hand' and 'The Story So Far' and, incidentally, bringing said band on tour with them.

Reading Festival
Like with Taking Back Sunday there aren't really any words that can describe how I feel when seeing Jimmy Eat World. There's a lot of nostalgia, tears and teethy grins. Plus, I saw them twice that day.

Sunday, 28 December 2014

2014 Round Up: Favourite Albums

Little Machines
Favourites: Muscle Memory, How We Do It, Running With The Boys
Earning one of the top spots in my list is the beautiful synth-pop Little Machines. From start to finish it took me on a journey of the last year of my life in particular, sound tracking my trip around Europe for me to relive over and over when I got home. Lights' vocals are sweet and stunning as ever and the musical arrangements draw the very best from her previous albums whilst introducing new elements even on the equally as sublime bonus tracks. My original ramble described Little Machines as breathtaking and a masterpiece and honestly, I still stand by that. 

White Noise
Favourites: Holy, Ghosts, Let Them In
This album is what dreams are made of I swear to whatever higher entity there is up there. If I could write an album this would probably be it. If I could sing I would pick Lynn Gunn's voice. If I could pick someone to work on my album with it would be Blake Harnage. Honestly this has got to be the most impressive debut i've ever heard. PVRIS have found their sound and holy hell is it good. Everything about this album is so incredible I don't really have the right words for it, the only disappoint is that it ends. If you do just one more thing this year please, please, please make it listening to White Noise. 

Weird Kids
Favourites: Manners, Come Back Home, Reflections
After Best Intentions and seeing them live several times I was wondering whether the five piece would head into a more pop direction or if their second full length would be more punk and Weird Kids kind of does both. I don't think it's necessarily the music with We Are The In Crowd I think it is a lot to do with them. They've made an album which has honed in on their own unique sound that straddles both sides of the fence jumping back and forth for different songs and depending on the crowd. They sound better than ever and their future gets brighter looking every single day.

La Dispute
Rooms Of The House
Favourites: Woman (In Mirror), Stay Happy There, For Mayor In Splitsville
I can't think of any other band that sounds like La Dispute they're in their own league where they continue to make albums unaffected by what the rest of the music world is doing. Rooms Of The House continues to hit hard and beautifully and is verging into Deja Entendu worship worthy territory. 

Going To Hell
Favourites: Absolution, House On A Hill, Blame Me
Long awaited second offering from The Pretty Reckless exceeded my expectations. Light Me Up was brilliant but made a lot of people stick their noses in the air and I wasn't expecting Going To Hell to be able to change that but I think it did. Yes, in places there was crass immaturity but overall this album has something more to say than 'hey i'm high and underage but please have sex with me.' A couple of the songs are pretty hard hitting, musically they've changed it up a bit dabbling with different sounds and Taylor's vocals shine as ever. 

Moose Blood
I'll Keep You In Mind, From Time To Time
Favourites: Cherry, Bukowski, Boston
ENGLAND HAVE THEIR VERY OWN BRAND NEW CIRCA YFW. There isn't much more to say about this really other than the album artwork is one of my favourite people shot by another one of my favourite people so there's that.

Transit
Joyride
Favourites: The Only One, Follow Me, Ignition & Friction
Transit have done it again. Joyride is yet another exceptional album that I will spin all summer long. I feel bad for people that don't understand their sound and the direction they're going in and can't see past their own ideas for the band because their sound is such a uniquely charming one.

You Me At Six
Cavalier Youth
Favourites: Forgive And Forget, Cold Night, Wild Ones
It took a long time for this album to grow on me. When I first heard it I thought all the songs sounded the same and they lacked any real feeling. Generic music with a generic emotion. Eventually though after listening to it so many times something about the way my brain perceived it changed. It's not Sinners Never Sleep and they were never going to write Sinners Never Sleep Part II because somewhere during that album cycle and the potential break up they grew up. And that's what Cavalier Youth is - a nostalgic, half terrified half hopeful collection of songs for darker summer days.

Taking Back Sunday
Happiness Is
Favourites: Better Homes And Gardens, All The Way, Nothing At All
I have a lot of time for Taking Back Sunday. For me, despite their line-up being anything but, their music has always been consistently fantastic and whatever stage I am at in my life it is always relevant and there for me to go back to. They are a safe place. Happiness Is hits all the emotions with its' sound progressing forward but somehow being more reminiscent of earlier Taking Back Sunday albums.  

Taylor Swift
1989
Favourites: Out Of The Woods, Bad Blood, New Romantics
Ah, Taylor Swift who knew that 2014 would be the year the world watched you learn and grow and turn into a kick butt fairy princess feminist icon? And as for 1989, whilst a lot of the older die hard fans are gutted by the disappearance of the country sound, as a sucker for synths I am completely in love with the synth pop direction. There's straight up love songs, songs blasting the shitty media and songs for shitty friends that all come with excellent vocals and synth goodness. Scattered throughout is a fairy tale theme and on the bonus track 'Wonderland' tips over and, obviously, plays a lot on Alice In Wonderland which made me positively giddy with joy.

Honourable Mentions:

Neck Deep / Wishful Thinking
Real Friends / Maybe This Place Is The Same And We're Just Changing
Aaron West and The Roaring Twenties / We Don't Have Each Other
Charli XCX / Sucker
Tigers Jaw / Charmer
Modern Baseball / You're Gonna Miss It All
Yellowcard / Lift A Sail
New Found Glory / Resurrection
Natives / Indoor War
Bayside / Cult

Tuesday, 23 December 2014

2014 Round Up: Favourite Songs

Lorde
Yellow Flicker Beat

Paramore
Tell Me It's Okay

Echosmith
Terminal

Fall Out Boy
American Beauty/American Psycho

Tonight Alive
The Edge

Charli XCX 
Boom Clap

Anavae
Hang Man (Parallel Version)

Bastille featuring Grades
Torn Apart

Bring Me The Horizon
Drown

Four Year Strong
Go Down In History

Friday, 12 December 2014

Take Me Back: Taking Back Sunday (08/12/14)


So, on Monday night I saw Taking Back Sunday live for the first time ever. They formed in 1999 and since about 2002 when Tell All Your Friends was released they have been one of my favourite bands. I used to switch between their CD's and S Club 7 on my walkman and my sister literally can't remember not knowing them since she was born the same year they formed. I'm pretty sure my first crush was Adam Lazzara. We've grown up with them - gone from toddlers, to teenagers to young adults. As you can imagine they mean quite a lot to us. It just so happens that every time they've toured over here we have either been abroad, tickets sold out before we could get them or we were too young to get in but finally we had tickets.

Having to do a bit of a detour to pick my brother up from Cardiff we were of course late and thought we'd missed first support band Blitz Kids but it turned out that for reasons unknown (even to them) that Marmozets played first. A tad bit gutted because I really wanted to actually see them, as opposed to hearing them on the outskirts of the NME tent, to see whether they could change my mind on the gimmicky impression they had left. However, I was glad I got to see Blitz Kids. From the very start of the set to the end front man Joe James was pitch perfect. Their sound is relatively unique to anything i've ever really heard it's rocky with a touch of pop-punk on certain elements and the main vocals as well as the backing/gang vocals all sounded perfect live. Apparently they don't really have that much support in Bristol but this set, which included tracks like 'Sold My Soul,' 'All I Want Is Everything' and closed with 'Perfect,' was enough to change that and the four piece seemed to notice.

When it was time for Taking Back Sunday the atmosphere in the room made it feel like Jimmy Eat World shows. Its that whole energy that surrounds these bands that have been around for so long and still consistently put out good music, who's shows are still fun and where the members clearly still care. There's no just 'going through the motions' feel to the shows and when they came on to 'What's It Feel Like To Be A Ghost?' and I got that feeling I was so unbelievably happy. It's such a hard feeling to describe, in the past i've tried to explain Jimmy Eat World shows to my brother and I just couldn't but when he turned to me and grinned during 'A Decade Under The Influence' I could finally explain it to him - because he was feeling it. They played through an amazing set list that included a lot of their biggest and best songs from over the years as well as some of their very best newer songs from Happiness Is. The 'Liar (It Takes Ones To Know One)' and 'Timberwolves At New Jersey' duo was absolutely deadly so when the slightly slower 'Faith (When I Let You Down)'  started to be strummed you could feel the relief from the tired crowd, but the intensity of the singing didn't dissipate.

Up until this point Adam and John had been like a stand up comedy act trading back and forth their witty banter but before 'Better Homes And Gardens' Adam became serious telling us how the song almost didn't make the album because it was too emotional for him but that playing it helps him. It was a sobering speech and a powerful performance. Quickly flipping the happy switch Adam was back to joking with the crowd, threatening to 'pop' some guy in the face with his mic before deciding against it "well, I won't but you know I could" being one of the most accurate statements to ever leave his mouth. Watching Adam swing the mic round all night seemingly recklessly but never hitting anyone/himself I don't doubt that he has beyond mad skills with that thing now that i've witnessed it with my own eyes. Strangely there was no mosh pits for 'Error: Operator' but one of the biggest all night for 'My Blue Heaven' which seemed kind of weird but I was far too dazed by the magic of Taking Back Sunday to give it that much thought.
The reception for their new songs was just as unruly, a rare thing for bands of their age, showing how pop-punk gods can grow, change and still produce music that makes their fans show just as much passion as they do for past songs they've grown up with. This was most evident near the end of their set - they didn't do the whole encore thing to save time which was kinda cool - where 'Flicker, Fade' and 'All The Way' sandwiched 'I Know How You Do' with no change in enthusiasm from the crowd. Hearing a full room chant "we won't stand for hazy eyes anymore" gave me goosebumps but not quite as much as 'Cute Without The 'E'" did. A year ago to the date of seeing them I was in the loudest crowd i've ever been a part of at The Final Night Of Sin, the yell of "underdog" had been deafening in the sold out arena but when it came to the bridge in the Bristol o2 Academy that night Taking Back Sunday fans won. The music stopped leaving just us and Adam to yell "why can't I feel anything from anyone other than you?" so scarily loud my mum could probably hear us 100 miles away. Closing a legendary night was of course 'Make Damn Sure' evoking the monsters in us all one last time.

Thursday, 4 December 2014

Album Review: Sinclair - Sweet Talk


Every now and then a new artist appears, brandishing a seriously impressive debut and Julia Sinclair is one of them. At five tracks long Sweet Talk boasts diversity across the tracks that come together to create a pretty flawless first effort. There's a story being told here and with the groovy music accompanying it, its one you don't want to miss out on hearing.

Opening the EP is 'Holla' with a laid back pulsing intro Sinclair's vocals drip attitude. Male backing harmonies add another layer that compliment the higher tone Sinclair adopts on the funky track. It's a strong entrance and begins the warm up preparations necessary for the all out dance party 'The World Is Ours' becomes. Allowing the electronics and drum beats to lead the song musically it truly becomes an anthem with an unforgettable chorus claiming "the world is ours and we will have it." However, what really leads this song making it a bold, lively track are the different tones Sinclair accesses becoming both serious and light-hearted with seconds between, telling this story of love and adventure beautifully. Lyrics like 'nobody loves in a straight line' and 'nobody can tell you to love somebody you don't, if you don't' really hit the nail on the head and feel so important Sinclair needs to prepare herself for inspirational status.

Combining elements of the first two songs, title track 'Sweet Talk' is the epitome of attitude and as my sister would say: sass. It's groovy and will no doubt leave your feet aching on your makeshift dance floor (mines my attic room - disaster in terms of repeatedly smacking my head on the beams) but lyrically it makes a stand for all woman desperately clutching for independence and refusing to buy into other peoples' toxic games. Sinclair lets loose - "you don't really love me you just want someone you can control," "you move in close just to twist the knife," - with an absolutely venomous, empowering delivery. It's safe to say she won that battle.

The second half of the EP takes on a somber tone with 'This Too Shall Pass' showing Sinclair's vulnerability for the first time in a fragile manner. Simple guitaring accompanies Sinclair as she croons heartbreaking and totally relatable lines, 'these days its hard to get up, some doors are better left shut.' The chorus picks up, becoming not exactly lighter in tone but a sense of hope and her striking optimism creeps in attempting to knock out all doubts and convince her that 'this too shall pass.' 

A soft twinkle of piano keys forms an effortless transition into the final track 'Heaven On Earth' which, like the title says, sounds a little like heaven on earth. It's a stunning tale told with the maturity of adults twice her age- "I know we're not rolling in dough and what we had left has been blown on bills and cheap Merlot" - but also possesses a devastating childlike innocence - "we could build a castle right here with a couple blankets and chairs." There's a crescendo, an explosion of sheer passion musically and emotionally, drums kick in hard and various vocal layers come to a peak finally relenting to allow Sinclair to quietly sing her last lines "we can make this hell heaven on earth." 

Sweet Talk is a dazzling debut that'll leave you humming for days. The five songs expose different sides and the multitudes of talent of Sinclair. It's a charming little EP that leaves you rooting for her success and dying to hear more. Sounding like the work of an already accomplished artist it's going to be exciting to see what she does next.

Wednesday, 3 December 2014

Introducing: Sinclair


Coming towards the end of the year I'm beginning to put together my end of year lists and what's becoming obvious is that there haven't been any new musical discoveries to shake to them up. A triple threat of factors being that I haven't looked hard enough, I spent time abroad and underground artists are leaving their music behind in tough financial times has left my Introducing section totally bare. However, before the year is out I have one name to save the day and become your new musical crush: Sinclair.
Originally from upstate New York, where she lived just half an hour away from Canada, she moved to Nashville and has since started making music that's alerted the ears of many and earned her a shining reputation. Some of the ears she's captured led to her touring with the likes of Ingrid Michaelson and Graham Colton with perhaps one of the most exciting moments of her career - up until the recent release of Sweet Talk - being her signing to Drive Music in 2013.
Growing up she won multiple awards - both locally and nationally - for her classical guitaring but I for one am so glad she diverted from these classical roots and began experimenting with different sounds and genres to create her own uniquely fun mix of indie pop synthy deliciousness. While the stories she tells in her lyrics often tell of troubling times the upbeat music and her overall positive outlook is inspiring and bound to bring out hardened pessimists' dancing shoes.

Find this talent here:

Tuesday, 2 December 2014

Take Me Back: Tonight Alive (27/11/14)



After the release of one of my favourite albums of last year - and perhaps ever - I was eager for Tonight Alive to do a headline tour here on the other side of the world to their homeland. Never one to disappoint they put together the Live On The Other Side tour and also played Reading & Leeds. Their R&L fest debut was made on the main stage where their punk aesthetic and Jenna's soaring vocals charmed the crowds and no doubt encouraged the ticket sales for the already massively popular tour.

Chunk! No Captain Chunk were brilliant openers for the night. With their upbeat pop-punk they had the room bouncing along right from the offset. Their energy filled the room and by the time it came around to their cover of 'All Star' the crowd was putty in their hands, chanting the song back to them. The set was short but sweet and unlike some openers it was memorable which will work in their favour in the future.

Before we get down to the gritty punk of Tonight Alive we were covered in sugary pop by Arizona's The Summer Set. Having seen them enough times by now I knew what to expect: B-Dales pulling some Beyonce moves, sing-a-longs and a well placed cover - and that's exactly what we got. Coming out to 'Lightening In A Bottle' the crowd were timidly into it but second song 'Fuck U Over' was followed by the ever annoying/catchy 'Chelsea' so all timidness was thrown aside and I watched grown men sing as loud as they can. Ed Sheeran's 'Sing' was their chosen cover which gained a loud response from the sold-out room. Finishing up their set with 'Boomerang' the crowd seemed genuinely pleased to have seen them but the feeling that everyone just can't wait for one band and one band only is inescapable.

When Rusted Roots 'Send Me On My Way' started playing I knew we were moments from Tonight Alive taking to the stage. The song ended, another small intro played and then the quintet blasted their way on playing 'The Edge.' The crowd was mighty terrifying, truly one of the most deafening experiences of my life. It was written all over their faces how much this meant to them and their passion for what they were doing was so evident I found myself getting choked up on more than one occasion - and that's a pretty hard thing to do, generally speaking I don't cry.
But it wasn't just the acoustic sing-a-long with Jenna to 'Let It Land' and 'Amelia' where her tears streamed quietly down her face; it wasn't the hilarious and stupidly awesome impromptu cover of 'Killing In The Name Of' and it wasn't even the few occasions I caught the eye of Jenna and Whak and we sang to each other that made the night so special, it's the fact Tonight Alive songs are dark, hopeful and absolutely real. It's hard not to feel personally connected to these songs, whether it's 'Listening' and 'What Are You So Scared Of?' which on some level were written for us, the fans. Or 'Lonely Girl' a song about sucky friendships which I'm sure everyone has had their fair share of from the phenomenal volume of the crowd alone. For me, songs like 'The Ocean' and 'Bathwater' carry a lot of weight in my mind for the exact reasons as Jenna herself - the shit trip that is eczema. It sounds so trivial but when it decides to take over your body it hurts not just physically but mentally and The Other Side was like therapy to me as a listener and to Jenna as an artist. It's more cleansing than copious amounts of Savlon and E-45 ever will be.
The final two songs were vastly different with 'Breaking And Entering' starting mosh pits back up and a fitting finale of 'The Other Side' allowing everyone a moment to let the last hour and half sink in. The show was more than I could have hoped in every single way with everyone leaving saying the same thing: holy fucking shit that was incredible. So while Tonight Alive go back home to write album three we'll all patiently wait with The Other Side on repeat wondering how they're going to top that and not for one moment doubting that they can.