Saturday, 30 November 2013

Top Tunes: November


The Wonder Years - Living Room Song
"This week is gonna swallow me but when it spits me out I'm landing on my feet"

Real Friends - I've Given Up On You
"You used to make me feel like I could walk on water, now most nights I'm just sinking down and down"

Jimmy Eat World - Sweetness
"I'm still running away, won't play your hide and seek game"

30 Seconds To Mars - Alibi
"We faded faster than the speed of light, took our chance, crashed and burned"

Lorde - Bravado
"It's in your bloodstream a collision of atoms that happens before your eyes. It's a marathon run or a mountain you scaled without thinking of size"



Tuesday, 26 November 2013

Take Me Back: The Wonder Years (17/11/13)


My one dodgy photo of the night...

Ever since Slam Dunk Wales earlier in the year myself and my brother have been dying to see The Wonder Years again and were stupidly excited for their headline tour. I've found that over the years not only are Cardiff crowds the best but 'pop-punk' shows generally are a lot crazier and this show was no exception. 

First two bands Handguns and Neck Deep had the crowd going with such enthusiasm the floor was bouncing - like literally bouncing. Slightly terrified that the place was actually going to cave in, I mentally prepared myself to accept that after this gig pain was to be inevitable and waited for Real Friends to take to the tiny stage. Wilder than before with masses of stage dives, human pyramids and people swinging from the beams Cardiff bellowed the lyrics to songs such as 'Lost Boy' and 'Anchor Down' but it was when everyone put their arms around each other and sung along to 'I've Given Up On You' that I got goosebumps. Swaying back and forth with my arms around total strangers was the moment I truly fell in love with shows like this. No one knows each other and yet we are all there for one reason; you fall down and you'll be picked back up; the sheer passion from everyone there. Everything about these gigs makes them incredible... i've been to too many where people will let crowd surfers purposely be dropped and seen a lot of unnecessary arsehole behaviour. Anyway, all cheesiness set aside Real Friends put on a fantastic show and I gained several bruises to prove it. 

Making a quick dash to the bar to get a drink I made it back into the main room just in time for The Wonder Years to set off the Cardiff crowd into an all out frenzy. Fists pumping and cramming into the tiniest gap possible I'm sure I didn't imagine Soupy's look of fear when he realised just what we were capable of. With their set consisting of fan favourites and new tracks from The Greatest Generation it was a pop-punk singalong from start to finish. Opening with 'Passing Through A Screen Door' the band and crowd alike were flawless all night. The Upsides tracks like 'Melrose Diner' and 'Washington Square Park' brought back the trampoline-like floor; Suburbia had deafening singing particularly on 'Local Man Ruins Everything' and newer songs like 'The Devil In My Bloodstream' provided moments of softened crowd harmonies until that two minute mark where the loudest cry of "I bet I'd be a fucking coward" took place. To everyone's delight the band played 'Living Room Song' which was just meant to be played at shows like this, it felt like we were just in our "living room with good friends." Fingers pointing sky high everyone yelled "fuck the world and what it wants me to be" with so much sincerity, it's comforting knowing everyone else in that room feels the same way. Closing with 'All My Friends Are In Bar Bands' the epic night ended with all the bands on stage defiantly exclaiming "I'm not sad anymore..." when somehow the entire crowd ended up there with them. One second we were yelling in unison on the floor and the next I'm yelling in unison with Soupy and tripping over spare microphones... 

I really love pop-punk shows. 

Friday, 15 November 2013

Album Review: Anavae - Dimensions



Two years ago almost to the date of this post I stumbled across a little band called Anavae. Immediately falling in love and downloading every song possible - I think there were no more than three at the time - i've watched them grow, being continually impressed along the way. Unafraid it seems, or at least determined, to try and put into the music their deep rooted questions and ideas about our existence has made for intriguing listening over the last couple of years that's stood out amongst break up song after break up song and Dimensions, the bands' second EP/mini album, is no exception to this.

Opening the EP is Anti-Faith making it quite clear from the get-go that it's going to knock you off your feet. With a big sound and drums that make your floor vibrate it takes all of 30 seconds to forget that other music actually exists so by the time second track Storm Chaser and it's brutally relatable content hits, you find yourself well and truly lost to the masterpiece Dimensions is shaping up to be.

Not knowing the name of The Wanderer when I first heard it months and months ago during Anavae's first StageIt performance and then again back in May on one of their mini tours I had dubbed it I Won't Return due to the soaring chorus bound to be stuck in your head for days. Disguising itself as one of the more tame songs on the album it's the 2:40 mark that sets the song off with Anavae's signature dubstep breakdown.

With a frenzied guitar pattern opening Hang-Man the word psychedelic is brought to mind until it slows down when the verse kicks in. Drawn out, lazy day vocals lead the song towards another of those larger than life choruses just dying to be played live to a room of sweaty kids. Aeon pulses it's way into your mind and finds you questioning the universe with this other worldly track showcasing Becca's flawless high notes and Anavae's ability to incorporate electronics into the music with purpose and not just because they could - a trap many bands seem to fall down. If you're acquainted with the bands' first EP Into The Aether - if you're not what are you doing - you'll probably be reminded of Invaesion and it's withdrawn pace which escalates into a perfect breakdown courtesy of that clever dubstep injection.

Melody wise Dream Catcher is brilliant with a chorus to end all choruses it's bound to become a firm favourite to a lot of fans. The vocal control shown is impressive and in areas shows off a grittier vocal that adds a fierceness to the delivery of the lyrics much like the bridge on Anti-Faith. However one of the true highlights of the album is Bring Me Down which is gorgeous start to finish. The opener lyric 'I sometimes see the shadow on my back, I don't know his name but he sometimes loses his way' made the hairs on the back of my neck stand on end when I first heard it - and it has done ever since. Sung with such beautiful desperation and accompanied by weighted music that matches the tone perfectly I challenge anyone not to like it. By now I feel Anavae deserve some kind of award for writing some of the best bridges ever, as just like every song before it, the bridge is yet another fantastic one that builds on itself and offers a striking climax to a hell of a powerful song. Dropping the bold drums from full band Anti-Faith the acoustic version holds an eerie calmness. Where the album opens strong and fighting it closes with an unsettling fragility. The arrangement is possibly one of the most stunning i've ever heard and has found me hitting repeat over and over.

Overall Dimensions is a fantastic example of pure creativity unhindered by the bands' ever growing talent and obvious vision. With all eight tracks being above and beyond the exceptionally high expectations I had it's truly impossible to pick a favourite and put it this way, if you don't know who Anavae are yet, you soon will. Forget taking over the world these guys are headed for unknown galaxies.

Thursday, 7 November 2013

Take Me Back: Paramore (21/23/28.09.13)*


















An assortment of dodgy photographs of Paramore live at:
Cardiff Motorpoint (21.09.13)
Birmingham LG Arena (23.09.13)
Wembley Arena (28.09.13)

Review here.